A B S T R A C T A R T I N F O R M E L B Y R O B E R T C A R B O N E L L
B O R N I N B A R C E L O N A Y E A R 1966
C R I T I C by J O A N L L U Í S M O N T A N É
Y E A R 2006
Robert Carbonell, matérica abstraction, expresividad of the idea
Robert Carbonell investigates in the expresividad of the matter, to which he confers character to him, but also he inoculates lyricism to him, capacity of perception beyond the limits, thanks to the support of the color, that he uses with determination..
Abstract, but always in search of a representation imagined, as if a mental stage scene one was, made with character, with determination, looking for the intrigue, the stage scene, atrezzo, from the existencial optics, investigating in the vericuetos of the soul. Life, solitude and importance. Passenger of time, that watches at itself, that it investigates in the question that is drawn in its smile, almost imperceptible, that advances through the glance.
Sight without watching, because its plastic effectiveness resides in the dramatización of the idea, in the conjunction of the visualization of the expressive thing. It sails in marasmo, looking for the space, there where it is documented in the subjective thing, in the suggestive interrogation of, the content, hidden, almost imperceptible, soon to explode with determination
Endiosa matter, to compose lírica, that transfers to sensations, which it surpasses visual poems, that are nourished of expresividad, determining the relief that concentrates the essence of the matérico in excluding zones, almost evident, looking for asymmetries, spaces in the great space, diving in the perimeters of the formal development policy, back in the Pleiad of the imaginary one, when the forceful stage scene opens the way to the lírica placidness of the poet who takes inside.
He is a creator who moves with determination, orienting with force the matter, which one settles in the forceful thing, trying to go beyond the imposed limits, of the zones in which geometries are so subtle that they advance with the placidness of the singular. It is like a dramatic actor, who touches subtle keys of the subconscious mind, using sensations, using also characteristic of the own perceivable situation. That is to say, that it does not reject to experiment, but within an evident, precise positioning sure, that one moves with great allegory and triunfalismo, almost looking for the juxtaposed thing to stand out.
He is a plastic creator with personality, because it investigates in the gesture, is introduced in marasmo of the mesh of the dense thing, always considering the real thing of the matter.
It is an importance finder, but, before, he is a creator who finds in ancestral primitive the explanation of the world of turbulences, slants, gestures, but specifically vehiculados in the determination of its objectives, in the subtle establishment of the ephemeral thing, content in the matérico content.
It knows that the existence has his you limit, but, it goes beyond, it advances unstoppable, almost without proposing it to it, traveling through the sensations, being affected and affecting moments, obtaining to transmit the reach, the will force, the visualization of the emblematic thing, content in the own catharsis of the abstract thing
Finder of poetic iconographies, constructs abstractions so that all we pruned to go beyond you limit them, since in the conscience of the moments, in the perception of it sublimates it is the most truthful routine character.
The indetermine thing are no limits considering, but that we found the space in the mystery of the matter, because it includes scenes, investigates in the perception of the way, surpassing obstacles, ascending by the pleasant tops of the poetry continues.
Poet of the moment, investigates in the matter to see itself in the way of the contemplation of the moment of fire, installed in the true religion of the plastic
Of the Association the Critical International of Art
